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한국실내디자인학회 / v.21, no., 1999년, pp.94-94 
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투시도법에서 왜상(Anamorphosis)의 의미와 위상에 관한 연구
( A Study on the Orientation and Mean of Anamorphosis in Architectural Perspective ) |
| 이승우;정례화; 남서울대학교 건축학과;;
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| 초 록 |
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| After fifteenth century artists sought for a method on representation of nature through perspectiva artificialis. Perspectiva artificialis is become a tool for establishment of their theory and value. This study aim to study Orientation and mean of Anamorphosis in Architectural Perspective and transitional procedure of perspective in appealing the will of Architects. Initially, the concern of perspective is begun with optics in the Middle Ages. In Renaissance Ages perspective are presented a scientific and real world to a transformation of non-scientific world with visual cone, vanish oint and anamorphosis. In artists anamorphosis specially is a effective means to emphasize a affect of mannerism. Accordingly, perspective is discoursed to approached between art and technique. After renaissance perspective is become the driving force of the representation in spirit of scientific investigation ; while anamorphosis such a manneristic present in art is motived to prevent from obtaining its universe and implicity through their methodology. |
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| 키워드 |
| 투시도;원근화법;왜상;무한원점;시각원추; |
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한국실내디자인학회논문집 / v.21, no., 1999년, pp.94-94
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO199910102467005)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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