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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.23, no., 2000³â, pp.139-139
Çѱ¹, Áß±¹, ÀϺ»ÀÇ ÀüÅë â»ì ±×·¡ÇÈ ¿¹Á¦ ºñ±³ ¿¬±¸ - ±âÇÏÇÐÀû °üÁ¡¿¡¼­ ±×¸®µå ÇüŸ¦ Áß½ÉÀ¸·Î -
( Comparative Study on Graphic Examples of Traditional Lattices in Korea, China, Japan - Focused on grid type from geometrical viewpoint - )
¹ÚÁö¿¬;ÀÌ¿¬¼÷; ¿¬¼¼´ëÇб³ ÁÖ°Åȯ°æÇаú ¹Ú»ç°úÁ¤;¿¬¼¼´ëÇб³ ÁÖ°Åȯ°æÇаú;
 
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The cultural identity of design is very critical in the modern society which is called the society of complex culture and multi-culture. In addition, adopting a traditional lattice-like pattern as a composition element of interior space is an effective way in the context of adding a traditional touch to the modern interior space. Meanwhile, in the process of applying Korean traditional lattices to modern interior space, some problems occurred: it has not been properly embodied; or it has been mistaken for those of China and Japan sharing similar culture with Korea. Thus, this study is designed to have precise knowledge of Korea, Chinese and Japanese traditional lattices. Besides, typical patterns of each nation¡Çs lattices are comparatively analyzed from the geometrical viewpoint, in a bid to pave the way for th modernization of traditional lattices. In particular, standards are set and proposed to identify different nations¡Çs lattices mainly focusing on grid type lattices which are often used and confusing.
 
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.23, no., 2000³â, pp.139-139
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200010102459093)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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