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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.14, no., 1998³â, pp.107-107
¾Ë·¹»êµå·Î ¸àµð´Ï(Alessandro Mendini)ÀÌ ÀçµðÀÚÀÎ(Redesign)¿¬±¸
( A Study on Alessandro Mendini's Idea of Redesign with Special Reference to His 'Proust' armchair )
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This stud tires to present a general picture about Alessandro Mendini''s unique idea of redesign. One of Italian post-war redical architect and designer mendini gives us a special opportunity to appreciate the social cultural and political context where the post-war Italian design lies. Also known as "banal design" Mendin''s design revolutionized the way in which we practice utilize and think about design itself. It is my opinion that the idea of his redesign can be best understood when we consider the social contest of Italian design. Unlike that of other European countries post-war Italian design gave special emphasis on how design can or should be more than a simple activity of making aesthetic or industrial products. In terms of these possibilities Mendini was never optimistic : today we are completely controlled by dehumanized mass production and it is impossible for design to take a special role for a social change Then Mendini''s pessimism is bound up with the spirit of this age widely known as postmodernism. Even though Mendini himself never characterized his design as postmodern it is not difficult to identify various postmodern elements in his idea and practice of redesign. Thus in the final section of this study I shall investigate the postmodern elements in this design and furthermore such an idea as what makes Mendini postmodern.
 
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Alessandro Mendini;redesign;¸àµð´Ï;ÀçµðÀÚÀÎ;ÀÌÅ»¸®¾Æ ¹ÝµðÀÚÀÎ;Æ÷½ºÆ®¸ð´ø;
 
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.14, no., 1998³â, pp.107-107
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO199810102457195)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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