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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.29, no., 2001³â, pp.27-27
¾Èµµ Ÿ´Ù¿À °ÇÃàÀÇ ¿ÜºÎ°ø°£¿¡ ³ªÅ¸³­ ÁøÀÔ½ÃÄö½ºÀÇ ±¸¼º¹æ½Ä
( The Compositions of Approaching Sequence in Exterior Space of Tadao Ando¡Çs Works )
¹®Á¤¹Î;¾È¿ìÁø;°í¼º·æ; Á¶¼±´ëÇб³ µðÀÚÀÎÇкÎ, ½Ç³»µðÀÚÀÎÀü°ø;°æ»ó´ëÇб³ °ÇÃà°øÇаú ¹Ú»ç°úÁ¤;°æ»ó´ëÇб³ °ÇÃà°øÇаú;
 
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The concept of homogeneous space which was made in during the modern architecture was criticize for making our circumstances uniformly. The difference of place disappeared. The concept of place, however, has been watching in Contemporary Architecture. A basis for the concept of place is ¡Çmovement in space¡Çthrough the sense of the body. Thus, architectural methods for experiencing place are composing the sequence through the continuous time. It is important that the composition of sequences in place makes the spatial experiences with harmonies of architecture and environments in exterior space for people who enter the building. Tadao Ando makes place in terms of experiencing body. Compositions of sequence in his works are expressed very well at the approaching stages in the process of exterior space. This stud is to survey the compositions of approaching sequence in Tadao Ando¡Çs Works.
 
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.29, no., 2001³â, pp.27-27
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ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200110102451333)
¾ð¾î : Çѱ¹¾î
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