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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.37, no., 2003³â, pp.12-12
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ÇÁ·¢Å» °³³ä¿¡ ±âÃÊÇÑ Á¶Çü¿ø¸®¿Í Ç¥ÇöƯ¼º - È¸È¿Í °ø°£Á¶ÇüÀ» Áß½ÉÀ¸·Î -
( The Design Principles and Expressive Characteristics Based on Fractal Concepts - Focused on fainting and Space Design - ) |
| ±èÁÖ¹Ì; ¿ø±¤´ëÇб³ ȯ°æµðÀÚÀÎ;
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| The purpose of this study is to propose a new design principles and to analyze the pattern of art and architecture applying fractal concepts. As this study is based on fractal geometry as a natural science, 1 intented to explain the concepts and provide some methods of generating fractal properties. Two major aspects are discussed. Frist, fractals are geometric shapes that are self-similar, in other words, they iterate a basic shape at ever increasing a decreasing dimensions. Self-similarity, irregularity, and scaling are fundamental characteristics of fractal geometry. Second, the fractal concepts of art and design can be analyzed and used as a critical tool. In both criticism and design, fractals provides a tool In fine, fractal geometry can be provided endless possibilities for artists and designers intended in expressing the more complex underlying rhythms and organic patterns of nature. |
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| ÀÚ¿¬ÆÐÅÏ;ÇÁ·¢Å»±âÇÏÇÐ;ÀÚ±âÀ¯»ç¼º;¾îÆ®·¢ÅÍ;¹Ýº¹ ÆÐÅÏ; |
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.37, no., 2003³â, pp.12-12
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200310102401974)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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