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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v., no.34s34, 2002³â, pp.140-140
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±¹³» °ÇÃà ½ºÅ×Àεå±Û¶ó½ºÀÇ ÇöȲ°ú °úÁ¦ - ±â¹ýÀÇ ¼ö¿ë°úÁ¤°ú °ø¹æÇöȲÀ» Áß½ÉÀ¸·Î -
( The present condition and problem of Architectural Stained glass decoration in Korea - Focused on the Acceptance of the technique and the present state of the studios - ) |
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| This Study is concerned with the present condition and prospect of architectural stained glass in Korea. Stained glass had been architectural art from the origin. But it had declined since the Renaissance era, and began to revive in the early 20th century. The stained glass inflowed with church architecture occasionally by the western missionaries. And it has been developed actively since 1980' with the boom in church building. There are about 30 studios which are making stained glass in Korea, but very few studio work true architectural stained glass. Stained glass is still treated as simple decoration or 2-dimensional mosaic. Architect and interior designer even have little understanding of architectural character of stained glass.I have considered the problems and prospected architectural stained glass which inspire modern architecture with human sensitivity in Korea. |
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v., no.34s34, 2002³â, pp.140-140
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200210103495419)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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