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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.16, no.6, 2007³â, pp.197-204
¹Ì¼ú°ü Àü½Ã°ø°£ÀÇ ½Ã°¢±¸Á¶ ºÐ¼® - °³½ÇÇü Àü½Ã°ø°£ÀÇ ºÐ¼®À» Áß½ÉÀ¸·Î -
( An Analysis on The Visual Configuration of an Exhibition Space in Art Museum - Focusing on an Exhibition space Room-to-room - )
ÀÌÁ¾¼÷;ÀÓäÁø; È«ÀÍ´ëÇб³ °ÇÃà°øÇаú;È«ÀÍ´ëÇб³ °ÇÃà°øÇаú;
 
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In the spatial configuration of room-to-room art museums, openings and walls are important physical factors, and openings are a medium for connecting spaces. Also, by spatially composing walls and openings, spaces can be connected visually and physically, and movements and directions may vary depending on the location or size of walls and openings. In this study, 5 museums are investigated: Sainsbury Wing in London, Gemaldegalerie In Berlin, Alte Pinakotkek in Munich, Neue Pinakothek in Munich, and Staatsgalerie Stuttgart in Stuttgart. Using DepthMap program, the characteristics of visual-spatial composition of each museum are derived by comparing the Connectivity, Visual integration, and Isovist maximum radial. From an analysis of spatial distribution, a relationship with visibility is investigated. The results of this study showed that the combination of visual axial lines affect the spatial configuration of the room-to-room museums. Depending on the location of opening, the museums can be classified as follows: 1) Museums with the 1st visual axial line and the 2nd and 3rd auxiliary visual axial lines ; 2) museums with several equal visual axial lines; and 3) museums with only center axial line.
 
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°³½ÇÇü¹Ì¼ú°ü;½Ã°¢Àû °ø°£±¸Á¶;°³±¸ºÎ;º® ±¸¼º;°ü¶÷ÀÚ ºÐÆ÷;Room to room art museum;Visual spatial configuration;Opening;Wall composition;Spatial distribute;
 
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.16, no.6, 2007³â, pp.197-204
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200706717295314)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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