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한국실내디자인학회 / v.17, no.6, 2008년, pp.82-91 
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르코르뷔지에의 회화와 공간디자인의 상호관련에 관한 연구
( A Study on the correlation between Le Corbusier's Painting and the Space Design ) |
| 전영미; 동주대학 실내디자인과;
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| 초 록 |
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| After modernism, artistic movements such as Cubism, Futurism, De stijl and Bauhaus demonstrated a connection to architecture and other plastic arts and developed a tendency towards a synthetic art. Above all, the unification of painting and architecture is the most noticeable point; a blueprint and a multi-coloring space that are applied on 3-dimensions painting brought new dimensions into relief. Following this artistic trend, it is easy to point out that Le Corbusier's works; which were created under the name of Charles Edouard Jeanneret, show the pictorial peculiarity in the Space Design. Even if white space that he has designed under the slogan such as standardization and mechanization, the variety and metamorphism that he has tried to express on his work have widely been recognized. Especially, his late architectural works were produced as the figurative arts expressing the ambiguity of painting and hence led a step towards a synthetic art. The study analyses Le Corbusier's 2-dimensional Painting as well as his 3-dimensional Space Design. Furthermore, it aims at embarking on the unification of painting and architecture in terms of Le Corbusier's synthetic design philosophy. |
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| 키워드 |
| 르코르뷔지에;회화;순수주의;초현실주의;직각의 시;Le Corbusier;Painting;Purism;Surrealism;Le $Po{grave{e}}me$ L'Angle Droit; |
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한국실내디자인학회논문집 / v.17, no.6, 2008년, pp.82-91
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200806135608279)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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