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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.17, no.6, 2008³â, pp.102-110
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¸Ó½º Ä¿´×Çܰú ÇÁ·¹µå¸¯ Çöó¸ÁÀÇ ÄÚ·¹¿À±×¶óÇÇ¿¡ ³ªÅ¸³ °ø°£Àû Ư¼º ¹× Ç¥Çö¿¡ °üÇÑ ¿¬±¸
( A Study on Spatial Characteristics and Expressions in the Choreography of Merce Cunningham and Frederic Flamand ) |
| ¹Ú¼¼Áø;±èÁ¾Áø; °Ç±¹´ëÇб³ °ÇÃàÀü¹®´ëÇпø ½Ç³»°ÇÃ༳°èÇаú;°Ç±¹´ëÇб³ °ÇÃàÀü¹®´ëÇпø ½Ç³»°ÇÃ༳°èÇаú;
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| In choreography, the relationship between body and space is fundamental. Not only in the performing arts, it is an essential part in space design as well. In this sense, the comparison study between performing arts and space design will have various helpful aspects from which a creative design can be derived. This thesis aims to study spatial characteristics and expression methods in the choreography of performing arts that is dance in this case. The general background study of the relationship between body movement and space design in the modem art and architecture was explained in advance. And then its application in choreography was studied. Two case choreographers were selected: Merce Cunningham and Frederic Flamand. They have unique ways of designing and choreographing the relationship between body movements and stage spaces. This thesis attempts to find the differences as well as common characteristics between the two choreographers in terms of how they relate bodily movements and emotions into the given space. |
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| ¸ö;¾È¹«;°ø¿¬¿¹¼ú;¸Ó½º Ä¿´×ÇÜ;ÇÁ·¹µå¸¯ Çöó¸Á;Body;Choreography;Performing Art;Merce Cunningham;Frederic Flamand; |
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.17, no.6, 2008³â, pp.102-110
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200806135608284)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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