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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v., no.29, 2001³â, pp.220-227
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Çö´ë µð½ºÇ÷¹ÀÌÀÇ ¹ÌÇÐÀû ÇØ¼® - ¹Ì¼ú»çÁ¶¿Í µð½ºÇ÷¹ÀÌÀÇ º´·Ä °èº¸¸¦ ¹æ¹ýÀ¸·Î -
( Aesthetic interpretation of modern display ) |
| ÀÓÁøÀÌ;ÀÓÁ¾ÈÆ; È«ÀÍ´ëÇб³ °ø°£µðÀÚÀÎ;°æ¿ø´ëÇб³ »ê¾÷µðÀÚÀÎ °âÀÓ±³¼ö;
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| Display and art have different purposes. But they share a common mean, so-called artistic experience. These two formative business that seeks the profit as a commercial design, it has some relationship with art in the aspect of socialization of pursuit of aesthetics. Although the historical status and directivity of display have not been established systemiically yet, and aesthetic expansion of displace is uncertain it would be effective that the present and future of display art is connected with art history in the view of dynamic state of art history. In this thesis, the issues such as what is the relationship between display and art history or whether display can be mentioned as a formative art were analyzed by matching them with the trends in art history like naturalism, high tech, minimalists and so on. Modern display is a commercial design that can be developed in various ways and that is related to the as development of art history. |
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| ¹Ì¼ú»çÁ¶;Çö´ëµðÀÚÀÎ;½ÅÇ¥ÇöÁÖÀÇ;½ÅÀÚ¿¬ÁÖÀÇ;¹Ì´Ï¸Ö¸®Áò;ÇÏÀÌÅ×Å©;Display; |
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v., no.29, 2001³â, pp.220-227
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200111920993332)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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