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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v., no.5, 1995³â, pp.17-23
Museografia¸¦ ÀÌ¿ëÇÑ Á¶°¢ Àü±â ¿¬Ãâ¿¡ °üÇÑ ¿¬±¸-À¯¹°ÀÇ ¿ª»çÀû ±Ù°Å¿¡ ±âÀÎÇÑ Àü½Ã¿¬ÃâÀ» Áß½ÉÀ¸·Î-
( A Study on the Sculpture Display Expression of using Museografia-Suggesting a Display expression being based on historical Authority of Relics- )
¿À¼±¾Ö;ÀÓäÁø; È«ÀÍ´ëÇб³ »ê¹Ì´ëÇпø ½Ç³»µðÀÚÀÎÀü°ø ¹Ì¼ú°ú ¼®»ç;È«ÀÍ´ëÇб³ °ÇÃà°øÇаú;
 
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Placing itself in position of spectators, museum should be able to explain to them what meaning the medium of exhibi-tion has and what role it has to paly. For that, it is an indispensable process to plan an archite-ctural environment and exhibition presentation suitable to the exhibition which are main objects of museum, but as a result of its being reglected by this time, it has been recog-nized as a tigid and formal place closed and estranged from the general public. The authoritarian aspect of museum resulted from its sys-tem negative to the people of our country, while its services have been developed as a place in which one understand a country most quicky. Recently, however, as a movement of participating in the newly changing general trend, the contest of design of the new National Museum was announced publicaly worldwide introducing the Museografia method of planning exhibition presentation after thorough analysis of exhibition, which made it known that an importance is intensely put on the en-vironment of relics and their exhibition. The purpose of the study is to analogize the planning prin-ciple of the interior design of the exhibition room of sculp-tures, placing emphasis on the exhibition presentation intro-ducing Museografia as a way of examining the problems and solving them concerning the existing standardized uni-form method of displaying exhibition. The way of conducting the study are as follows.
 
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v., no.5, 1995³â, pp.17-23
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO199511920146198)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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