|
|
|
한국실내디자인학회 / v., no.39, 2003년, pp.3-11 
|
포스트모던 디자인과 중세 미학의 관계 연구 - 혼성 미학의 역사성을 중심으로 -
( A Study on the Relationship of Post-Modern Design and Medieval Aesthetics - Focus on the Historicity of the Hybrid Aesthetics - ) |
| 김은지;이정욱; 경원대학교 건축학과;경원대학교 실내건축학과;
|
|
|
 |
|
| |
| 초 록 |
|
|
| The attempt to find the origin of Post-modern aesthetics from the Middle Ages is easy to perceive the thinking system of contemporary design. The Middle Ages showed that things and God's relation were symbolized all things were connected with analogical ideas as mysticism(alchemy, gnosticism), and God's world was represented with the metaphor. While the hybrid style of Post-modern architecture expressed that the rationalism was opposed to Ideology, partly, the idea of irrational with mysterious, also unscientific with analogical discourse . And the Symbolism of Post-Modern Design is means of popular Communication. Exactly, the common feature of ideology with pre-rationalism and anti-rationalism are against the dominated ideology in present. In conclusion, the relation of significancy effect In Chaos and In composition can be considered inspirational source historically. |
| |
| 키워드 |
| 前이성;신비주의;反이성;혼성양식;상징주의;대중적 커뮤니케이션;영감적 근원; |
| |
|
|
|
|
한국실내디자인학회논문집 / v., no.39, 2003년, pp.3-11
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200311922040446)
언어 : 한국어 |
|
| 논문 제공 : KISTI 한국과학기술정보연구원 |
|
|
|
|
|
|
