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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.17, no.4, 2008³â, pp.50-57
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( A Study on Futuristic Aspects of Ron Arad's Interior Design )
°íÀÚ°æ;½ÉÀºÁÖ; °Ç±¹´ëÇб³ °ÇÃàÀü¹®´ëÇпø ½Ç³»°ÇÃ༳°èÇаú;°Ç±¹´ëÇб³ °ÇÃàÀü¹®´ëÇпø ½Ç³»°ÇÃ༳°èÇаú;
 
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Futurism can be defined as a movement in the early 20th century founded by Italian writer Marinetti apposing to traditional and conservative art. Though its life as a movement seemed to be fairly short, it can be said that the very essence of futurism can be seen whenever there is radical change in our society such as the information revolution. Even though the information revolution has brought us many positive improvements our life including art and design, lately there are also discussions about the defects in our life. Ron Arad may be considered as a designer and artist whose intentions and expressions are very similar to those of futurism. This study investigates concepts, meanings, and expressions of futurism in art history and then those of Ron Arad's shown in interior design projects. By examining selected project examples the author defined that rather than optimistic viewpoints, avant-garde and technological aspects were found to be strong in symbolic qualities. As for expressive qualities, dynamism and continuity appeared to be Ron Arad's unique expressions, very similar to those of futurism on the other hand, purity and temporarily were found less. It is hoped that the study may be a help in better understanding futuristic qualities of Ron Arad, one of the radical and experimental designers of our age.
 
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.17, no.4, 2008³â, pp.50-57
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200833155785863)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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