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한국실내디자인학회 / v., no.25, 2000년, pp.198-204 
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아르누보 건축의 역사적 특성에 관한 연구(1892-1902) -V. 호르타, H. 귀마드, 그리고 C.R. 맥킨토시를 중심으로-
( Art Nouveau 1892-1902: Fin de Ciecle or a Transient Phase in Modern Architecture -In Cases of V. Horta, H. Guimard and C.R. Macintosh- ) |
| 황보봉;이수진; 건축학박사;성균관대.연세대 생활과학부 강사, 이학박사;
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| 초 록 |
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| Art Nouveau was a short-lived European phenomenon in art and architecture. Despite the fact that Art Nouveau architecture never fully succeeded as an anti-historical movement, it is important to identify its place in modern architectural historiography. The significance of Art Nouveau-that it incorporated decorative elements into the centre of architectural practice-certainly serves to acknowledge its place within the Modern Movement. Architectural works of Victor Horta, Hector Guimard and Charles Rennie Mackintosh are carefully examined in this paper to find out (1) how they individually emerged and manifested distinctive characteristics and creativity within their own local contexts, and (2) how they can collectively fit into historical discourse of Art Nouveau. Art Nouveau was not a mere fin-de-ci cle phenomenon, but a complicated transient phase at the dawn of European Modernism. |
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| 키워드 |
| 아르 누보;전환기;빅터 호르타;헥터 귀마드;찰스 레니 맥킨토시; |
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한국실내디자인학회논문집 / v., no.25, 2000년, pp.198-204
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200011920751800)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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