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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v., no.31, 2002³â, pp.19-28
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º£Å亥 ÇÇ¾Æ³ë ¼Ò³ªÅ¸ op.57ÀÇ °ÇÃàÀû ÇØ¼®°ú Àû¿ë¿¡ °üÇÑ ¿¬±¸
( A Study on the Architectural Interpretation and Application of Beethoven Piano Sonata op.57 ) |
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| This study aims to show a possibility that music can be expressed in an architectural way by attempting architectural interpretation and application of the musical piece, Beethoven Piano Sonata op.57 through analyzing it and to suggest a method for the architectural design where spirituality and internality is emphasized on the basis of music. In conclusion, it was clarified that the concept and form of the music could be expressed architecturally. That is, the concept of time and space in the musical piece is expressed in that of time; the musical form in that of the spacial structure; and the rhythm, melody, harmony, timbre and tone color of the musical piece in point, line, shape, texture and color in the architecture. |
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| °ÇÃà°ú À½¾Ç;º£Å亥 ÇÇ¾Æ³ë ¼Ò³ªÅ¸ op.57; |
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v., no.31, 2002³â, pp.19-28
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200211921274813)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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