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한국실내디자인학회 / v., no.32, 2002년, pp.90-96 
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중국 명왕조 시대의 좌구(坐具, 의자)에 관한 연구
( The research on the chair of the Ming Dynasty in China ) |
| 김미옥; 서일대학 실내디자인과;
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| 초 록 |
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| Laying stress on the upper classes of Western Europe until from the seventeenth to the eighteenth century, the chinese mode in the fields of architecture, interior design and fashion was widely liked. It is called as ‘chinoiserie’into the French language. The chinese design with its quantity and ornamentation exerted an influence upon‘Rococo’in France and upon ‘Chippendale’ in England. The chinese mode that was made best use of the furniture design is the one of Ming dynasty. This was developed in relation to the interior design of ‘Siheyuan’ that is the architectural mode in those days. The furnitures at the times of Ming dynasty was raised to the position of the golden era in the history of chinese furnitures. The furniture has the technique laying stress on symmetrical proportion, simplicity. This technique showed as the formative modeling. also on the part of decoration ornamental designs showing the china ideology of Taoism, Buddhism and Confucianism it was used. In this formative modeling the ideological background of those days forms the groundwork. The combination of reason and sentiment and of heart and mind emphasizes that our emotion should be in control by the ration and our emotion and ration should be harmonized. |
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| 키워드 |
| Chinese;Ming dynasty chair; |
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한국실내디자인학회논문집 / v., no.32, 2002년, pp.90-96
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200211921274967)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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