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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.14, no.5, 2005³â, pp.193-204
Çʸ³ ½ºÅ¹°ú ·Ð ¾Æ¶óµåÀÇ °¡±¸µðÀÚÀΠƯ¼º ºñ±³ ¿¬±¸
( A Study on Comparing Characteristics of Philippe Starck's furniture design with Ron Arad's )
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Design took a radical turn in the 1980's, deconstructing the rigid ideology of the Modernism, often with great humor. Contemporary representable Avant-garde designers, Philippe Starck and Ron Arad brazenly borrowed from the 'historical elements' of previous styles and created bio-morphic forms with whimsical names of furniture. This study is proposed to understand the diversity of contemporary design, by comparing these two furniture designers. It also covers the common factors in contemporary furniture design, and analyzes their individual differences and similarities in design. It helps to plan the foundation of design methods for 21C, and predict and respond to the future as a reference point. Philippe Starck links Romantic Rationalism within Minimal style and Ron Arad links Deconstructivism within High-tech style but both of them pursue of Organic concept design in their furniture through the concept of humanism. They are able to establish a base of contemporary furniture design by adapting new conceptual form, and design process for the general public.
 
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Çʸ³ ½ºÅ¹;·Ð ¾Æ¶óµå;°¡±¸ µðÀÚÀÎ;ÀÇÀÚ µðÀÚÀÎ;Philippe Starck;Ron Arad;Furniture design;Chair design;
 
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.14, no.5, 2005³â, pp.193-204
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ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200507521938957)
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