|
|
|
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.14, no.6, 2005³â, pp.3-11
|
Çѱ¹ Çö´ë ½Ç³»°ø°£¿¡¼ÀÇ ÀüÅ뼺 Ç¥Çö °æÇâ¿¡ °üÇÑ ¿¬±¸
( A Study on the Expressive Tendency of Traditional in Korean Contemporary Interior Space ) |
| Àü°æÈñ;³²°æ¼÷; ÇѾç´ëÇб³ ½Ç³»È¯°æµðÀÚÀÎÇаú;ÇѾç´ëÇб³ ½Ç³»È¯°æµðÀÚÀÎÇаú;
|
|
|
 |
|
| |
| ÃÊ ·Ï |
|
|
| With development of digital technology and build-up of global network in the 21st century, Korea has recklessly accepted Western information and culture in recent years, thus causing damages to out identity. In the situation, restoration and development of traditions in a modern way will contribute to the creation of contemporary interiors. This study has analyzed and assessed the process through which traditional decorative elements have applied to contemporary interior decorations over the past ten years with a view to identify the trend of expressing traditional elements in comtemporary interiors. Designs that have applied traditional elements in a transfigure expression method amounted to 77 pieces, accounting for $43%$ of the total investigated 178 designs, which was followed by 48 designs ($27%$) of metaphor expression method and 39 designs ($22%$) of symbol expression method, which express the tradition as interpreted by the designer. Designs that have adopted direct expression method amounted to no more than 14 pieces, accounting only for $8%$ of the total designs. This result suggests that transformative, metaphoric and symbolic expressions that simplify or transform the original forms we more frequently used In the applications of traditional elements to modern interiors rather than directive expression that reproduces the original form as it was. |
| |
| Ű¿öµå |
| ÀüÅ뼺;ÀüÅëÀÇÀå¿ä¼Ò;Çö´ë ½Ç³» °ø°£;Ç¥Çö¹æ¹ý;Traditional;Traditional design elements;Contemporary interior space;Expression method; |
| |
|
|
 |
|
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.14, no.6, 2005³â, pp.3-11
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200508824101812)
¾ð¾î : Çѱ¹¾î |
|
| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
|
|
|
|
|
|