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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.15, no.3, 2006³â, pp.75-82
Çö´ë°ÇÃàÀÇ Ç¥ÇÇ¿Í °ø°£¿¡ ³ªÅ¸³­ Åõ¸í¼ºÀÇ Ç¥Çö±â¹ý¿¡ °üÇÑ ¿¬±¸
( A Study on the Representation Techniques of Transparency in the Surface and Space of Contemporary Architecture )
À±°©±Ù;°­½Â¿Ï;Á¤»çÈñ; Á¶¼±´ëÇб³ µðÀÚÀÎÇкÎ;Á¶¼±´ëÇб³ µðÀÚÀÎÇкÎ;¿ø±¤´ëÇб³ °ÇÃàÇаú;
 
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Discussions on transparency have been being analyzed as variedly as the diversity itself in contemporary architecture. Though it is inappropriate to summarize the discussions into several specific viewpoints, as the notional classifications on transparency are varied according to the points of individual researchers, it can be said that, by approaching with the standpoint of the designers who may have various difficulties in the course of design, the meaning of this thesis lies largely in the fact that it attempted to study the architectural application techniques of transparency notion both through surface aspect which could be said to decide on the appearance of the architecture shape and through, in physical aspects as a combination of space components comprising the inner space, spatial aspect to which architectural techniques of transparency notion are applied. Through these, we conclude as follows. 1. Representation Techniques of Transparency in Surface : Transparency from surface viewpoint could be categorized into 1) emphasis on property-of-matter, 2) lightness of Literal material itself, 3) visual ambivalence, and 4) dematerialized hyper-surface. 2. Representation Techniques of Transparency in Space : In spatial viewpoint, transparency is summarized into sub-viewpoints as 1) straightforward space 2) ambiguous spacer 3) expanded space
 
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Åõ¸í¼º;Ç¥ÇÇ;°ø°£;ºñ¹°ÁúÈ­;¸ðÈ£¼º;Transparency;Surface;Space;Dematerializing;Ambiguit;
 
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.15, no.3, 2006³â, pp.75-82
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200629734294190)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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