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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.15, no.5, 2006³â, pp.265-272
Àü½ÃµðÀÚÀÎÀÇ º¯Ãµ°úÁ¤°ú ¿äÀο¡ °üÇÑ ¿¬±¸ - µ¶¸³±â³ä°üÀÇ ½Ã±âº° Àü½Ãº¯È­¸¦ Áß½ÉÀ¸·Î -
( A Study on Transition Process and factor of Exhibition Design - Based on the Exhibition's Transition in the Independence Hall - )
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Traditionally exhibition design as been restricted to architectural, interior, and lighting design, but recently it has begun to overlap into environmental, performance, and installation art. Exhibition design also increasingly involves the application of film, fashion, and the new media. In the past, exhibits were arranged and displayed for the visitor to view directly, but with the development of more effective exhibit media a connection has been created between the exhibit and the visitor. However exhibition design has reached the limits of continuous growth without background theory, when now it must take Into consideration the museum's activation and the importance of the exhibition's design. Exhibition design has developed and grown rapidly since the Taejeon Expo in 1993, but it is a difficult development without a theoretical structure. The flow of exhibition design must be systemized, as the systemization of the transition process of exhibition design has not yet been achieved. This study aims to present an arrangement of exhibition design flow, and to investigate the variation factors in the transition process of exhibition design and exhibit medium development, based on the 18 year history of the Independence Hall that introduced the first systematic planning of an exhibition in 1987.
 
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Àü½ÃµðÀÚÀÎ;Àü½Ã¸Åü;º¯Ãµ°úÁ¤;ü°èÈ­;µ¶¸³±â³ä°ü;Exhibition design;Exhibit medium;Transition process;Independence hall;
 
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.15, no.5, 2006³â, pp.265-272
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200604623625834)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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