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한국실내디자인학회 / v.16, no.1, 2007년, pp.21-30 
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프랭크 게리의 건축에서 보여지는 후기미니멀리즘적 특성의 적용과 표현에 관한 연구
( Frank O. Gehry's Architectural Interpretation of the Post-Minimal Features ) |
| 이영화;이상호; 서울여자대학교 디자인학부;연세대학교 건축공학과;
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| 초 록 |
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| Frank O. Gehry is known to be an architect whose work ranges over different realms, especially between fine arts and architecture. He himself mentioned about this interdisciplinary aspect of his own work: he was inspired by, worked together with, and sometimes directly influenced by contemporary artists. Among the artists, the most influential ones are the sculptors, especially Richard Serra of Post-Minimalism and Claes Oldenburg of Pop Art. Based on this historically known fact, although very brief, this study explores how the features of Post-Minimal sculpture were transferred into Gerhy's architecture, and how Gehry has developed them into his own language. In Post-Minimal sculpture, the main concept 'Anti-Form' was realized by emphasis on materiality, process and intuitiveness of work of in. Those features appeared vividly in Gehry's works especially in his second stage of his life, but seemed to have disappeared in the third stage. However, in the fourth stage, Gehry went beyond the influence of Post-Minimalism, and he created very unique formal language dialectically formed between Post-Minimal sculptural language and his architectural language. |
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| 키워드 |
| 반형태;물성;프로세스;Anti-Form;Materiality;Process; |
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한국실내디자인학회논문집 / v.16, no.1, 2007년, pp.21-30
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200710912629568)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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