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한국실내디자인학회 / v.13, no.1, 2004년, pp.38-45 
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O.M.Ungers의 건축에서 나타나는 르네 마그리트의 이중성에 관한 연구
( The Study on the Doubleness of Rene Magritte appeared in the Architecture of O.M.Ungers ) |
| 이병욱;김용승;박용환; 동의공업대학 실내건축과;한양대학교 건축공학과;한양대학교 건축공학과;
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| 초 록 |
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| One of the prominent phenomena since 1960's is the diversity of concepts. It is to deny the standard of meta structure in judging value as a framework of truth understanding. M. Foucault says that we are living in a synchronous, parallel, and scattered epoch. In the architectural approach and interpretation of Ungers, such a phenomenon appears as multi-dimensional relations. The works of Ungers show the concrete manifestation of such thoughts since 1960's. He has exerted significant influence on German architecture through his book ‘Architecture as Theme’ and architectural works. His architecture has focuses on analogy and abstraction on the foundation of his well defined theory. As the features, it shows dialectic relations, mix of confrontation, interests in geometry and morphology. In this respects, the paper tries to find out the relationship between his architectural thoughts and the paintings of Rene Magritte in terms of the attributes of doubleness in the sense of a paradox. Ungers himself refers that he was directly influenced by Magritte. |
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| 키워드 |
| 르네마그리트;이중성;Ungers; |
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한국실내디자인학회논문집 / v.13, no.1, 2004년, pp.38-45
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200411922300932)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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