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한국실내디자인학회 / v.13, no.3, 2004년, pp.153-161 
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유기적 모더니즘 가구디자인의 조형적 특성에 관한 연구 - 현대미술과의 상호연관성을 중심으로 -
( A Study on Formative Characteristics of Organic Modernism Furniture Design - Chiefly focusing on mutual relationship with Modem Art - ) |
| 최병훈; 홍익대학교 목조형가구학과;
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| 초 록 |
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| Organic Modernism was inaugurated by Alvar Valto as an alternative plan to the formative limitation of Geometrical Modernism. It began to appear in the 1930s in the fields of Architecture, Furniture, Product Design and so on. It is known that began with organic formative language is closely related to surrealistic artists Andre Breton as well as other artists and sculptors in that era. Such Formative Language formalized a stream of Organic Modernism Furniture Design unique to the regional and cultural characteristics of Scandinavia. After crossing over to America, mass production of Furniture was born and new materials were linked by industrialization. The Characteristics of Organic Formation in Modern Art such as Three -Dimensional, Biological Morphological, Symbolical, Primitive, Fantastical, Non-Realistic, Incidental, Irregular, transmit to Furniture Design. They are as Characteristics especially with Three-Dimensional, Biological Morphological and Symbolical aspects. Histories of Art and design, there are some examples showing mutual Interchange between Functional and Artistic Character. This thesis also clarifies the Formative Relationship that the Furniture designers who pursued Functionality and Mass Production had obtained from Modern Artistic works and the Artists, through the process of comparing and researching the typical Artists and their works. |
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| 키워드 |
| 유기적 모더니즘;현대미술;가구디자인; |
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한국실내디자인학회논문집 / v.13, no.3, 2004년, pp.153-161
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200411922352939)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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