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한국실내디자인학회 / v.13, no.3, 2004년, pp.43-51 
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상징과 이미지공간의 환유 - 고딕 성당 건축의 이미지 -
( A Study on Metonymy of the Image-Space and the Symbol - Focused on the image of the Gothic Cathedral in the Middle Age - ) |
| 김미옥;심희정; 서일대학교 실내디자인과;홍익대학교 대학원 미학전공;
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| 초 록 |
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| 1"his Study is to make research a Image and Symbol in the Gothic Architecture. Firstly, the concept of the symbol and the image effect are essentially based on the meaning that the activity of consciousness take on the constitution of the symbol. Therefore the image represent the deepest content of human nature has been imagination and reality. Secondly, the symbol concept showed in Gothic Architecture was associated with the passion of the order of middle ages. The world, the cosmos and the history had been revealed in Gothic architecture. In Gothic Image, Emile Male maintained the symbol of the Catholic Church as above mentioned. The Catholic Church was mirror of the natural, the institution, the moral and history, then this passion of the order was a christian order. Especially, E. Panofsky said that the scholastic method was shown in Gothic architecture. He assert that it was especially dialectic method used in theology. That is, he explained the transfiguration of Gothic Architecture with the process of thesis, anti-thesis, synthesis. These symbolize light, magnitude, clearness. Finally, symbolic image is important in Post-Modem architecture at present. Post-Modern architecture is associated with the public and the Pluralism. Post-Modern architecture attempt to communicate as symbolic language among the assumption for diverse aspect of culture. |
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| 키워드 |
| 상징;이미지;고딕;알레고리;유추; |
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한국실내디자인학회논문집 / v.13, no.3, 2004년, pp.43-51
한국실내디자인학회
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200411922352815)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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