|
|
|
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ / v.20, no.4, 2011³â, pp.155-162
|
Ä«¸² ¶ó½ÃµåÀÇ ÀÛǰ¿¡ ³ªÅ¸³ ºí·»µù »öä¿¡ °üÇÑ ¿¬±¸
( A Study on the Blending Color in Karim Rashid's Works ) |
| ±è¼±¿µ; ¼¿ï°úÇбâ¼ú´ëÇб³ °ÇÃàÇаú;
|
|
|
 |
|
| |
| ÃÊ ·Ï |
|
|
| In order to pursue the traces of truth, boundaries set by man for convenience were crossed or Integrated leading to the discovery of new paradigms. Such phenomena including collaboration, convergence, crossover and etc. are expressed in various forms across the society and culture. In particular, development of digital technology is moving away from its previous color based on scientific, statistical and quantitative perspective by using diverse variables. Also, as the borderlines of genres become increasingly more ambiguous, various concepts of color blending developed rapidly. Thus These chaosmos-like color blending have created new contents. This research aims to understand the principle of color blending in Karim Rashid's work, which advocates the world of design in diverse fields from industrial products to architecture. The principle of color blending such as information change, source color and destination color, interaction, and etc. makes it possible to extract the expressed element and method of color blending. Meanwhile, the features of color blending such as integrated space and time, vague form, and narrative genre can be inferred from case analysis. |
| |
| Ű¿öµå |
| Ä«¸² ¶ó½Ãµå;ºí·»µù »öä;Á¡¼º »ö;ºí·¯ »ö;Karim Rashid;Blending Color;Viscosity Color;Blur Color; |
| |
|
|
 |
|
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ³í¹®Áý / v.20, no.4, 2011³â, pp.155-162
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
ISSN : 1229-7992
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO201130662199225)
¾ð¾î : Çѱ¹¾î |
|
| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
|
|
|
|
|
|