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Çѱ¹Á¶°æÇÐȸ / v.36, no.6, 2009³â, pp.1-11
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Çö´ëÁ¶°æµðÀÚÀÎÀÇ Ãß»óÀ¯Çü¿¡ °üÇÑ ¿¬±¸
( A Study on the Abstract Types of the Contemporary Landscape Design ) |
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| º» ¿¬±¸´Â Çö´ëÁ¶°æÀÇ Ãß»óÀ¯Çü¿¡ °üÇÑ ¿¬±¸·Î¼ Çö´ëÁ¶°æÀÇ Å»À帣Àû °æÇâ°ú °ÇÃà, Á¶°æ, ¿¹¼ú À帣°£ÀÇ ÇÏÀ̺긮µåÈ¿¡ ÀÇÇØ Çö´ëÁ¶°æÀÇ Çüųª ¿¹¼ú¼ºÀº °ú°ÅÀÇ ÇÈÃÄ·¹½ºÅ©½ÄÀÇ Á¶°æÀÌ Ç¥ÇöÇÒ ¼ö ¾ø¾ú´ø ¸¹Àº ºÎºÐµéÀ» Ç¥ÇöÇØ ³»°í ÀÖ´Ù. ÀÌ·¯ÇÑ ¿µÇâÀ¸·Î ÀÎÇØ Çö´ëÀÇ Á¶°æÀº ÇÑÆíÀÇ °Å´ëÇÑ Ã߻󿹼úÀ» º¸´Â µíÇϰí, ±× ³ÇØÇÔÀº Á¤µµ¸¦ ´õÇϰí ÀÖ¾î ÀϹݴëÁßµé »Ó¸¸ ¾Æ´Ï¶ó Àü¹® Á¶°æ°¡µéÁ¶Â÷µµ Ãß»óÀû Çö´ëÁ¶°æ¿¡ ´ëÇÑ ÇØ¼®ÀÌ ºÐºÐÇϰí Á¤È®ÇÑ ÀÌÇØ³ª ÇØ¼®¿¡ ¾î·Á¿òÀ» Åä·ÎÇϰí ÀÖ¾î Çö´ëÁ¶°æÀÇ Ã߻󼺿¡ ´ëÇÑ ¿¬±¸°¡ Á¦±âµÇ°í ÀÖ´Ù. ÀÌ¿¡ º» ¿¬±¸´Â Á¶°æ, °ÇÃà, ¹Ì¼ú µî ¿©·¯ ´Ù¾çÇÑ ¿¹¼úºÐ¾ß¿¡¼ ¿¹¼úÀÇ Ã¢ÀÛ¿ø¸®·Î ÀÛ¿ëµÇ¾î¿Â 'Ãß»ó¼º'¿¡ ´ëÇØ ±Ùº»ÀûÀΠŽ±¸¸¦ ÇÏ¿© Ãß»ó¿¡ ´ëÇÑ ÀÌ·ÐÁ¤¸³, Ãß»ó¼º º¯Ãµ°úÁ¤, Ãß»ó¼ºÀÇ Çö´ëÀû Àǹ̸¦ ÆÄ¾ÇÇÏ¿©, Á¶°æÇÐÀû ½Ã°¢À¸·Î °¢ ¿¹¼úºÐ¾ß¿ÍÀÇ ¿¬°è¼ºÀ» ¹àÈ÷°í Çö´ëÁ¶°æÀÛ°¡¿Í ÀÛǰ¿¡¼ Ç¥ÇöµÇ¾î ³ªÅ¸³ª´Â Ãß»óÇüÅÂ, Ãß»ó¾ð¾î, Ãß»óƯ¡À» ÃßÃâÇØº½À¸·Î½á Çö´ëÃß»óÁ¶°æÀÇ Áø¸®¸¦ ÆÄ¾ÇÇϰíÀÚ ÇÏ¿´´Ù. º» ¿¬±¸¸¦ ÅëÇÏ¿© Çö´ëÁ¶°æÀÇ Ãß»óÀ¯ÇüÀº ´ÙÀ½°ú °°ÀÌ ¼¼ °¡Áö·Î ±¸ºÐÇÒ ¼ö ÀÖ´Ù. $cdot$¿¬¿ªÀû Ãß»óÁ¶°æ(inductive abstract)Àº ³í¸®Àû °úÁ¤¿¡ ÀÇÇÏÁö ¾Ê°í Á÷°üÀûÀÌ°í ¼±ÇèÀûÀÎ Á¤½Å¼º, ±×¸®°í ÃÊ¿ùÀû °ü³ä Ç¥»óÀ» ÀǹÌÇÏ¸ç ¿¹¼ú°¡ÀÇ ³»¸éÀÇ ¼¼°è Áï, ´Ù½Ã ¸»Çؼ ¿ÜºÎ ´ë»óÀÌ ¾øÀÌ ¿¹¼ú°¡ ÀÚ½ÅÀÇ °ü³äÀ̳ª ¸¶À½ ¼ÓÀ» ±×¸®°íÀÚ ÇÏ¿© ´ë»óÀÇ ÀçÇöÀÌ ¾Æ´Ñ ÀÛ°¡ ³»¸éÀÇ Ç¥Çö ¶Ç´Â Ç¥ÃâµÇ´Â °ÍÀÌ´Ù. $cdot$±Í³³Àû Ãß»óÁ¶°æ(deductive abstract)Àº ÀüÅëÀû »ç½ÇÁÖÀÇ¿¡ ÀÔ°¢ÇÏ¿© ´ë»óÀ» °´°üÀû »ç½Ç¿¡ ´ëÇØ ÁöÀûÀÌ°í ³í¸®ÀûÀÎ »ç»ó(Þ×ßÚ)ÀÇ °úÁ¤À» °ÅÃļ ´ë»óÀ» ´Ü¼øÈÇϰųª ¿Ö°î, °úÀå, È®´ëµÈ ³í¸®Àû Á¶Çü¼ºÀ» Ç¥ÇöÇÑ´Ù. $cdot$º¹ÇÕÀû Ãß»óÁ¶°æ(complex abstract)Àº ¿¬¿ªÀû Ãß»óÁ¶°æ°ú ±Í³³Àû Ãß»óÁ¶°æÀÌ º¹ÇÕÀûÀ¸·Î ³ªÅ¸³´Ù. ÀÌ»óÀ¸·Î »ìÆìº» ¹Ù¿Í °°ÀÌ Çö´ëÁ¶°æÀÇ Ãß»óÀ¯Çü¿¡ °üÇÑ ¿¬±¸´Â Ãß»óÁ¶°æÀÛǰ¿¡ ´ëÇÑ °¡Ä¡¸¦ ÀçÆò°¡ÇÏ´Â °è±â°¡ µÉ ¼ö ÀÖ°í Çö´ëÀÇ Ãß»óÁ¶°æÀÛǰ¿¡ ´ëÇÑ ÀÌÇØ¸¦ ³ôÀ̸ç, ¹Ì·¡ÀÇ Á¶°æ¿¡ ´õ¿í ±àÁ¤ÀûÀ¸·Î ÀÛ¿ëÇÒ °ÍÀÌ´Ù. µû¶ó¼ º¸´Ù ½Éµµ ÀÖ´Â ¿¬±¸¿Í ÀÌÀÇ ±Ùº»ÀÌ µÇ´Â Ã߻󼺿¡ ´ëÇÑ ¿¬±¸´Â ¾ÕÀ¸·Îµµ Áö¼ÓµÇ¾î¾ß ÇÑ´Ù. |
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| This study focuses on Abstract Types in Contemporary Landscape Design. The formation and artistry of contemporary landscape design reveals many areas which Previously have not been able to be expressed in scenic landscape thanks to the deviation of the genre in contemporary landscape and the hybridization that has occurred among architecture, landscape and art genres. The focus of this study is basic research concerning "the abstract", which is used as a creative artistic theory in a variety of art fields such as landscape, architecture and painting. Through a theoretical establishment of "the abstract", its process of change, and the discovery of its contemporary principles, the relationship between each art field in landscapes and the formation of the abstract, abstract language, and abstract properties have been studied. The use of the abstract in contemporary landscape design can be classified in three ways: Inductive abstract representing conceptual transcendental symbols not logically but rather through intuition and transcendental cognition to display the inner expressions, ideas and minds of the artists. Second, a deductive abstract represents an expansive, logical model for the simplification of objects, distortion, exaggeration based on knowledge and logical reasoning about objective fact based on traditional realism. The complexity of the abstract is a concept that is bound to both the deductive & inductive abstract. As a major trend, the concept of "The abstract" in contemporary landscape has been putting forth ever-deeper roots. New trends like abstract works and landscape architecture reflecting the artist's inner expression, in particular, will provide fertile soil for landscape in the future. Further research about the concept of "the abstract" will also be necessary in the time to come. |
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| ¿¬¿ªÀû Ãß»óÁ¶°æ;±Í³³Àû Ãß»óÁ¶°æ;º¹ÇÕÀû Ãß»óÁ¶°æ;¹ÌÇÐ;Inductive Abstract;Deductive Abstract;Complex Abstract;Aesthetic; |
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Çѱ¹Á¶°æÇÐȸÁö / v.36, no.6, 2009³â, pp.1-11
Çѱ¹Á¶°æÇÐȸ
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200909651054999)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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