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한국조경학회 / v.34, no.4, 2006년, pp.1-17 
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현대조경설계에 있어서 시각 개념의 전개 양상 - 가시성에서 확장된 시각성을 중심으로 -
( The Development Patterns of Visual Concepts in Contemporary Landscape Design - With a Focus on Visibility from Expanded Visuality - ) |
| 장일영;김진선; 청주대학교 산업과학연구소;청주대학교 환경조경학과;
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| 초 록 |
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| This study emphasizes users' participation, a living-transforming visuality, as users have appeared to be a central element of landscape design but ignored before. Also this study tries to propose meaning of extended visuality in contemporary landscape design on the basis of visual criticism on simple perception-and contemplations convention-based landscape design. For these purposes, this study reviews characteristics of visual changes appeared in modern reductionist paintings. In other words, arts can be interpreted in polysemous ways through bodies' experience. Deconstructive concepts derived from the theoretical reviews can be categorized into three including the participation of the users' bodies from a contemplative point of view, textuality and intertextuality, and experiences from works. Those concepts were used to criticize the previous discourse on landscape designs and to analyze various issues in the theories, themes and techniques in contemporary landscape design. The significance of the expanded visuality in contemporary landscape design is that it brings the users' voluntary participation. This structure can serve as a tool to obtain the users' perceptive effects. At the same time, it can be regarded as a process of establishing the relationships between the users and the works. Thus emphasis is placed not only on the influences of the effects structure of the works themselves, but also on the many different dimensions related to the users' bodies. It implies that the meaning of design is not determined by the designer but a product resulted from the voluntary relationships between users and works. These findings lead to ambiguous distinctions between arts everyday life, and eventually to the end of the concepts of formative dichotomous aesthetics and their effectiveness. Finding of this study call for not only redefining the space where landscape design is created and communicated, but also reconsidering the concepts of landscape design and its ontological meanings. |
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| 키워드 |
| De-construction;Contemplation;Representation;Intertextuality; |
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한국조경학회지 / v.34, no.4, 2006년, pp.1-17
한국조경학회
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200604623618791)
언어 : 한국어 |
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| 논문 제공 : KISTI 한국과학기술정보연구원 |
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