¶óÆæÆ®¦¢Ä«Æä¦¢ºí·Î±×¦¢´õº¸±â
¾ÆÄ«µ¥¹Ì Ȩ ¸í»çƯ°­ ´ëÇבּ¸½Ç޹æ Á¶°æ½Ç¹« µ¿¿µ»ó°­ÀÇ Çѱ¹ÀÇ ÀüÅëÁ¤¿ø ÇÐȸº° ³í¹®
ÇÐȸº° ³í¹®

Çѱ¹°Ç¼³°ü¸®ÇÐȸ
Çѱ¹°ÇÃà½Ã°øÇÐȸ
Çѱ¹µµ·ÎÇÐȸ
Çѱ¹»ý¹°È¯°æÁ¶ÀýÇÐȸ
Çѱ¹»ýÅÂÇÐȸ
Çѱ¹¼öÀÚ¿øÇÐȸ
Çѱ¹½Ä¹°ÇÐȸ
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
Çѱ¹ÀÚ¿ø½Ä¹°ÇÐȸ
Çѱ¹ÀܵðÇÐȸ
Çѱ¹Á¶°æÇÐȸ
Çѱ¹Áö¹Ý°øÇÐȸ
Çѱ¹ÇÏõȣ¼öÇÐȸ
Çѱ¹È¯°æ»ý¹°ÇÐȸ
Çѱ¹È¯°æ»ýÅÂÇÐȸ

Çѱ¹Á¶°æÇÐȸ / v.14, no.2, 1986³â, pp.17-26
ÀÚ¿¬°ú Àΰ£ÀǽİúÀÇ °ü°è·Î º» ¡°Ãë¶ô°æ°ü¿¡¼­ÀÇ ³»ÀûÀǹ̡±¿¡ °üÇÑ¿©
( Indication of Immanent Picture in Rural Settlement According to the Corelation between Man and his Environment )
Á¤±âÈ£; Çϳë¹ö°ø´ë °ÇÃàÇаú °ÇÃà ¹× Ãë¶ô°èȹ¿¬±¸¼Ò;
 
ÃÊ ·Ï
ÃÖ¶ô±¸¼ºÀÇ ÁÖ¿ä¿äÀΰú ±¸¼º¿ä¼Ò·Î½á ÀÚ¿¬°ú Àΰ£ÀǽİúÀÇ °ü°è¸¦ ÅëÇÏ¿© »ý°¢Çغ» Ãë¶ô°æ°ü¿¡ °³Á¦µÈ ³»ÀûÀǹ̿¡ °üÇÑ º»°íÂûÀº ±× ±Ù°£¿¡ $ulcorner$¿øÇü$lrcorner$(Archetypen)À̶õ °³³äÀ» µÐ °ÍÀ̾ú´Ù. Áï ¿øÃÊÀû ½É¸®¿¡ À־´Â ¾î¶² ´Ù¾çÇÑ ÁÖÀ§¿äÀÎÀÌ ÀÖ´õ¶óµµ ¿øÃÊÀû ½É¸®¿¡ À־´Â ¾î¶² ´Ù¾çÇÑ ÁÖÀ§¿äÀÎÀÌ ÀÖ´õ¶óµµ ±Ù¿øÀûÀ¸·Î´Â µ¿ÀÏÇÑ »ý°¢¿¡¼­ ºñ·ÔµÉ ¼ö ÀÖ´Ù´Â Á¡ÀÌ´Ù. ¹Î´ã¿¡ À־, ±× ¼­¼úµÇ´Â ÀÖ´Â ¿ä¼Ò³ª Àå¼Ò´Â ±×°÷À» ´ëÇ¥ÇÒ ¼ö ÀÖ´Â ¶Ç´Â Àαٿ¡¼­ Áß¿äÇÏ°Ô ÀÎ½ÄµÇ¾î ¿Ô´ø ´ë»óµéÀ̶õ Á¡¿¡¼­´Â ±× Â÷ÀÌÁ¡À» º¼ ¼ö ¾ø´Ù. Àΰ£ÀÇ ÀǽÄÀÌ Á÷Á¢ Á¶Çü¿¡ ¹ÌÄ¡´Â Á¤¿øÀÇ ¿¹¿¡¼­µµ ±× ±¸¼ºÀÇ ±Ã±ØÀû ¸ñǦ´À $ulcorner$Àΰ£°ú ÀÚ¿¬$lrcorner$¶Ç´Â $ulcorner$Àΰ£°ú ¿ìÁÖ$lrcorner$, $ulcorner$¸¸¹°ÀÇ º»Áú$lrcorner$¿¡ °üÇÑ Àΰ£ÀǽÄÀÇ ±¸Ã¼È­¶õ µ¥¿¡ ÀÖ¾ú´Ù. Ãë¶ôÀ» ÀÌ·ë¿¡ À־ °³ÀçµÇ´Â °³³äÀº Å©°Ô µÑ·Î »ý°¢µÇ¾î $ulcorner$¼øÀÀ$lrcorner$°ú $ulcorner$Ç¥Çö$lrcorner$À̶õ ¸ð½ÀÀ¸·Î ³ªÅ¸³­´Ù. µ¶ÀÏÀÇ °æ¿ì¸¦ ÅëÇØ, º¼ ¶§ ½Ã´ëÀûÀÎ ¿ä±¸¼º, °³º°ÀûÀÎ Á¦´É·Â°ü°è ±×¸®°í ³».¿ÜÀûÀ¸·Î ÀǵµµÇ´Â ÇüÆíÈ­ °ø¹ýµîÀÌ ÀÛ¿ëµÊÀ¸·Î½á µµ½ÃÀÇ ¿¡¿¡¼­´Â ÁÖ·Î ÀǵµÀûÀÎ °ÔȹÇÏ¿¡ $ulcorner$Á¸Àç$lrcorner$¸¦ ³ªÅ¸³» º¸ÀÌ´Â (°ú½ÃÀû) $ulcorner$Ç¥Çö$lrcorner$ÀÇ ¸ð½ÀÀ¸·Î, ¹Ý¸é¿¡ ³óÃÌÃë¶ôµé¿¡¼­´Â ÀÚ¿¬ÀÇ Á¶°Ç¿¡ °øÁ¸ ¶Ç´Â ÀÇÁ¸ÇÏ´Â ¸ð½ÀÀÇ $ulcorner$¼øÀÀ$lrcorner$Àû Ư¼ºÀ» ³ªÅ¸³»°Ô µÈ´Ù. ¿ì¸®³ª¶óÀÇ Ãë¶ô¿¡ °ÔÀçµÈ $ulcorner$¼øÀÀ$lrcorner$À̶õ Å« Ư¡Àº dz¼öÀû °³³ä µå¿¡ ÀÇÇØ ÀÌ·ç¾îÁ³´ø ÇüÅÂÀÌ´Ù. ±×¸®ÇÏ¿© ¶§·Î´Â ¹Î´ã¿¡¼­µµ dz¼ö°¡ ÁÖÁ¦°¡ µÇ´Â °æ¿ì°¡ ÀÖ°í, ÀϹÝÀûÀ¸·Î´Â ¿ª»çÀû »ç½ÇÀ̳ª Àι°À» ÅëÇÏ¿© Ãë¶ô¹ÎÀÌÁö³à¿Â ÀÚ¿¬¿ä¼Ò¿¡ ´ëÇÑ Àνİü ¶Ç´Â ±×·¯ÇÑ »ýȰ¿¡¼­ ³ªÅ¸³ª´Â À±¸®°ü µîÀÌ ¾Ï¾Ï¸®¿¡ Ç¥ÇöµÇ±âµµ ÇÑ´Ù. ¹Î´ãÀ» ÅëÇÏ¿© ¿ì¸®´Â Áֹεé ÀÇ½Ä ¼Ó¿¡ ³²¾ÆÀÖ´Â Ãë¶ôÀÇ Áß¿äÇÑ ¿ä¼Ò³ª Àå¼ÒµéÀ» ã¾Æº¼¼ö ÀÖ°í ´õºÒ¾î À̵éÀ» Áß½ÉÀ¸·Î ÀÌ·ç¾î Á³À»Áöµµ ¸ð¸¦ »ýȰ¸ð½ÀµéÀ» »ý°¢Çغ¼ ¼ö ÀÖ´Ù. ÀÌ·¯ÇÑ °ÍµéÀº $ulcorner$¼øÀÀ$lrcorner$ÀÇ ´Ù¸¥ ÀÏ¸é ¶Ç´Â ¶§¿¡ µû¶ó¼­´Â ±ØÈ÷ ÀǵµÀûÀÎ $ulcorner$Ç¥Çö$lrcorner$ÀûÀÎ ÇÑ ¸é¸ð - ±× ´ëÇ¥ÀûÀÎ °æ¿ì·Î Á¤¿øÀ» ±¸¼ºÇϴµ¥ °³ÀçµÈ Àΰ£ÀÇ Àǹ̴ ¹«¾ð°¡¸¦ Ç¥Çö ¶Ç´Â Ç¥ÃâÇϰíÀÚ ÇÔ¿¡ ÀÖ´Ù´Â Á¡ -¶ó º¼¼öµµ ÀÖÀ», ¿¹·Î½á ¼º¸®ÇÐÀû »ç°í°ü³äÀ¸·Î½á Áý°ú Á¤»ç ±×¸®°í ÁÖº¯ °æ°üÀ» ÀÚ½ÅÀÇ ³»Àûº»Á÷ ¶Ç´Â À±¸®Àû ¿µ¿ªÀ¸·Î »ï¾Æ ¹¦»ç.Ç¥Çö.±¸Ã¼È­ ½ÃÄѰ¡±âµµ ÇÑ´Ù. ÃÖ¼ÒÇÑ µ¿Á·ºÎ¶ôÀÇ ÇѵΠ¿¹µé¿¡¼­ ±×·¯ÇÑ $ulcorner$Ç¥Çö$lrcorner$Àû Àǵµ¿¡ ÀÇÇÑ °æ°ü±¸¼ºÀÇ ÀϸéÀ» È®ÀÎÇÒ¼ö ÀÖÁö¸¸ ¾ö¹ÐÈ÷ »ý°¢ÇÏ¿© º¸¸é ÀÌ·¯ÇÑ ¿¹ÀÇ °æ¿ìµµ ÃÖ¶ôÀÇ ÃÑüÀûÀÎ ¿ÜÇüÀº ¸¶Âù°¡Áö·Î $ulcorner$¼øÀÀ$lrcorner$ÀÇ ¹üÀ§¸¦ ¹þ¾î³ªÁö ¾Ê´Â´Ù. ±×·¸±â ¶§¹®¿¡µµ $ulcorner$¼øÀÀ$lrcorner$°ú $ulcorner$Ç¥Çö$lrcorner$ÀÇ ¼º°Ý°ú ÇüŸ¦ ¿ÜÇü»óÀ¸·Î ´õ¿íÀÌ °ø°£»ó¿¡¼­´Â ¶Ñ·ÇÇÏ°Ô °æ°èÁþ±â´Â Èûµé´Ù. ¿ÀÈ÷·Á ÀÌ µÎ °³³äÀº Ãë¶ô°æ°üÀÇ ¿µ¿ª¿¡ À־ »óÈ£°øÁ¸Çϰí ÀÖ´Â, ¿ÜÀûÀ¸·Î $ulcorner$¼øÀÀ$lrcorner$Àû ¸ð½ÀÀ» ±×¸®°í ³»ÀûÀ¸·Î´Â $ulcorner$Ç¥Çö$lrcorner$Àû ¼º°ÝÀ» ³»Æ÷Çϰí ÀÖ´Â ¾ç¸éÀû ¿äÀÎÀº ¾Æ´Ò±î »ý°¢ÇÑ´Ù. ¾ç¸é¼ºÀ» Áö´Ñ °æ°ü±¸¼ºÀÇ ¼º°ÝÀº ¼®±¼¾ÏÀÇ Á¶¼ºÀ» µÎ°í »ý°¢ÇÒ ¶§ Á»´õ È®½ÇÇØ Áú°Í°°´Ù. ¼®±¼¾ÏÀº ÅäÇÔ»ê°ú µ¿ÇؾÈÀÇ ´ë¿ÕÆ÷ ±×¸®°í ¼®Å»ÇØ¿Í °ü·ÃµÈ ¼³È­ µî ±× À̸éÀû ¹è°æÀ» °í·ÁÇÏÁö ¾Ê°í´Â ÁøÁ¤ÇÑ $ulcorner$¼øÀÀ$lrcorner$ÀÇ ¸ð½À, Áï ÀÚ¿¬ ±×´ë·ÎÀÇ ¸ð½ÀÀÌÁö¸¸ ±× °£¿¡ ³»ÀçµÈ Á¶ÇüÀǽÄÀ» ÅäÇÔ»ê-µ¿ÇØ¾È °£¿¡ ³»ÀçµÈ µíÇÑ ÀÇ¹Ì¿Í ÇÔ²² »ý°¢ÇØ º¼ ¶§ ºñ·Î¼Ò ¼®±¼¾ÏÀÇ $ulcorner$Ç¥Çö$lrcorner$Àû ÀǵµÇÏÀÇ °æ°ü±¸¼º-Á¤È®È÷ ¸»ÇÏÀÚ¸é $ulcorner$°æ°üÀÇ Àνİú ÇØ¼®$lrcorner$¿¡ ÇØ´çÇÏ´Â ¹ü¿ªÀÏÁöµµ ¸ð¸£°ÚÁö¸¸ - Àº ±Ù¿øÀûÀ¸·Î ¼®±¼¾Ï¿¡ °³ÀçµÇ°í ÀÖÀ» ¼º°Ý°ú µ¿ÁúÀÇ °æ¿ì´Â ¾Æ´Ñ°¡ »ý°¢µÈ´Ù.
Landscape around a settlement is not only a natural object, but also a matters of the man in the co-relation with his environment. Man perceives the landscape rational or sensible. Then it changes into the substance for him and influences him: as we see often in the folklore, that is of importance in the mind. Man reacts against his surroundings deceidedly, selfassurd or commonly, and uses sometimes the landscape to the elements for realization, physical or symbolical. Out of one character of korean villages, adaption to the circumstances, we can notice also its inner image, the reflection of the mind. Seeing and perceiving the environment emotional or reasonable and, reflecting and descreibing the inner self on the space. Here, the landscape and the nature are matter of the man, a scale for his ethical estimation or a mailer of the realization his mind. It is difficult, but important, such a immanent picture in(or of) the landscape to find. This is a preliminary study in such a way.
 
Ű¿öµå
 
Çѱ¹Á¶°æÇÐȸÁö / v.14, no.2, 1986³â, pp.17-26
Çѱ¹Á¶°æÇÐȸ
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO198611920955512)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
¸ñ·Ïº¸±â
ȸ»ç¼Ò°³ ±¤°í¾È³» ÀÌ¿ë¾à°ü °³ÀÎÁ¤º¸Ãë±Þ¹æÄ§ Ã¥ÀÓÀÇ ÇѰè¿Í ¹ýÀû°íÁö À̸ÞÀÏÁÖ¼Ò ¹«´Ü¼öÁý °ÅºÎ °í°´¼¾ÅÍ
   

ÇÏÀ§¹è³ÊÀ̵¿