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Çѱ¹Á¶°æÇÐȸ / v.17, no.1, 1989³â, pp.55-68
°æ°üÀÇ ´Ù¾ç¼º¿¡ °üÇÑ °íÂû
( A Treatise on the Definitions of Ambiguous Landscape )
Ȳ±â¿ø; ¼­¿ï´ëÇб³ ȯ°æ´ëÇпø ȯ°æÁ¶°æÇаú;
 
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^x This paper focuses on clarifying the diverse conceptions of landscape, of which ambiguity gives rise to confusion to the theory and practice of landscape architecture. Landscape in the form of landscipe has once indicated land, a defined space or a humanized environment, cultivated and inhabited for the purpose of biological sustenance of ordinary people. With the advent of landschap(landscape) painting, its concept moved from the real world to the scenery, a prospect, 'a portion of earth's surface that can be seen at once by a man who is himself upon the surface. 'Once appeared, it remained as a central concept until the 19th century when the modern land-scape architecture, which claims to stand for the democratic planning and environmental design, emerged. However, it still survives as the most popular concept :a landscape is a man-made, beautiful scene. To the contrary, the geographers hold that a landscape is not an actual scene viewed by a particular observer, but is a generalization induced from the observation of many individual scene. Since it is not only very attractive to the general public, but also very important to the designers, scholars and artists, operational definitions of landscape are urgently needed.
 
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Çѱ¹Á¶°æÇÐȸÁö / v.17, no.1, 1989³â, pp.55-68
Çѱ¹Á¶°æÇÐȸ
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO198911920957275)
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