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Çѱ¹Á¶°æÇÐȸ / v.19, no.2, 1991³â, pp.23-31
°æ°ü¿¡ °³ÀçµÈ ³»¿ë°ú Çü½ÄÀÇ ÇØ¼® -¼®±¼¾Ï Á¶¿µÀ» ÅëÇÏ¿© º» ¼® ±¼Çü½Ä°ú ½Å¶óÀÇ µ¿Ç⹮ȭ¼ºÀ» Áß½ÉÀ¸·Î-
( On the Mater and Form of Landscape -by the case of the Grotto Sokgulam- )
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In this paper, based on the thought of the place, I tried to define the meaning of th place and interprete its landscape. The landscape of the mt. Toham with its Grotto-temple "Sokgulam" is the major object of it. The "matter and form" of the Sokgulam realizes the archetypal meaning of the grotto, birth or place of the birth, in a concrete picture. The aesthetics of the Sokgulam, the mater and form in the work of arts, comes out light harmonious with the elements: "grotto", the new foreign element of the architectural style and "orientation", the old domestic one of the Shilla that presented itself at the Chomsongdae, a kind of observatory. The interrelation of the old and new elements in work of the Sokgulam shows us also a thought as an opinion of the transference to say: the matter of the traditional subject, "grotto" and the form makes the abstract matter concretely in sight, by receiving the natural happening of the sunrise at the winter solstice.
 
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Çѱ¹Á¶°æÇÐȸÁö / v.19, no.2, 1991³â, pp.23-31
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ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO199111920414935)
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