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Çѱ¹Á¶°æÇÐȸ / v.31, no.2, 2003³â, pp.12-27
¿­¸° ³»·¯Æ¼ºê ±¸Á¶¸¦ ÀÌ¿ëÇÑ È¯°æ¼³°è ¹æ¹ý ¿¬±¸ - ¿ë»ê ¾Æ¸®¶û ¹®È­°ø¿øÀ» ¼³°è»ç·Ê·Î -
( A Study on Environmental Design Method based on Open Narrative Structure - A Case of Designing of Arirang Culture Park - )
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The purpose of this study is to look for an environmental design method based on open narrative structure, and to promote various experiences and interpretations of space through user's engagements. That is to say, the designer does not lead specific events through separate Boning but using the continuous open composition users are provided with margins for their imaginations. Spatial formulation through open narrative structure gives us various thoughts and it plays an important role in making a sequential space. Like an abstract painting, it is a complex story making or arranging a montage of images containing stories that elicit the reader's engagement through diverse interpretations. Like this, open composition exists in an ambiguous state and it is possible to interpret unfinished¡®evolving work¡¯within it. Utilizing open narrative structure, this study attempts to apply the idea of sequencing and open composition in the case of designing Arirang Culture Park. Open composition should induce various engagements by users and could be a medium which organically connects nature, culture and people. The spatial strategies of¡®ambiguity¡¯ and¡®transparency¡¯are like a bundle of complex and heterogeneous factors. Finally, the study focuses on the ¡®integration¡¯of the main ideas that compose multilayered space. ¡®Voidness¡¯and¡®thickening¡¯are also used for spatial strategies in open narrative structure. As alternative plans for undecided programs of the space, the voidness can be a strategic design program with flexibility about changes of futures. Also, thickening can be a strategic design program for functional reinforcement of the space, for the dramatic effects and for the generation of incidental events. Although both voidness and thickening seem paradoxical, we can see they are similar in the way that both focus on various spatial uses and by how they do not function as one-to-one correspondence, but as multiple correspondences. Therefore, open narrative structure is possible to apply in designing space and it can be an alternative design strategy for inducing multiple interpretations of space.
 
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Open Narrative;Ambiguity;Transparency;Voidness;Thickening;
 
Çѱ¹Á¶°æÇÐȸÁö / v.31, no.2, 2003³â, pp.12-27
Çѱ¹Á¶°æÇÐȸ
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200311921714453)
¾ð¾î : Çѱ¹¾î
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