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Çѱ¹Á¶°æÇÐȸ / v.37, no.1, 2009³â, pp.87-99
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Áø°æ»ê¼öÈ¿¡ Ç¥ÇöµÈ dzÅä°æ°ü¿¡ °üÇÑ ±âÃÊ¿¬±¸ - °âÀç Á¤¼±ÀÇ ÀÛǰÀ» Áß½ÉÀ¸·Î -
( Research on Cultural Scenic Landscape in Jingyeong Sansuhwa - Centering around Gyeomjae Jeongseon's Works - ) |
| À¯°¡Çö;¼ºÁ¾»ó; ¼¿ï´ëÇб³ ´ëÇпø Çùµ¿°úÁ¤;¼¿ï´ëÇб³ ȯ°æ´ëÇпø;
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| º» ¿¬±¸´Â Áø°æ»ê¼öȸ¦ Åä´ë·Î Çѱ¹ÀÇ »ê¾Ç°ú »êõÁöÇü, »ö(ßä), ±¤(ÎÃ), Àΰ£ÇàÅ µîÀ» ºÐ¼®ÇÏ¿© Áö¿ªÀûÀΠdzÅä°æ°üÀ» ÇØ¼®ÇØ º¸°íÀÚ ÇÏ´Â ½Ã·ÐÀû °íÂûÀÌ´Ù. ±Ù´ë ÀÌÈÄ Àû±ØÀû ±¹Åä°³¹ßÀÇ ¿øÀÎÀ¸·Î º¯ÇüµÈ ÁöÇü°ú ´Þ¶óÁø »ýȰ»ó µîÀ» »ìÆìº½À» ÅëÇØ ¿ì¸®ÀÇ º»·¡ÀûÀΠdzÅä°æ°üÀ» ÀÌÇØÇÏ´Â °Í¿¡ ÁÖ¾ÈÁ¡À» µÎ¾ú´Ù. ÇöÀç´Â ¿¾ ¸ð½ÀÀ» ã¾Æº¸±â ¾î·Á¿î ¼¿ï°ú ÇѰº¯ÀÇ ÁÖº¯Áö¿ªÀº ¿øÁöÇü°ú °æ°ü, Àϱâ¿Í ±âÈÄ µîÀÇ ÀÚ¿¬Çö»ó, Àΰ£ÇàÅ µî°ú ¿¬°üµÈ ÇØ¼®¿¡ ÁÖ¸ñÇÏ¿´°í, Áö±Ýµµ ÀϹݿ¡°Ô ¿ÏÀüÈ÷ °³¹æµÇÁö ¾ÊÀº ±Ý°»ê µîÁö´Â °ú°Å¿¡ À̸¦ ´ëÇß´ø ÀνÄÀÇ Ç³Åä¿¡ ÁßÁ¡À» µÎ¾ú´Ù. ÁöÇüÁö¹°ÀÇ ¸ð½À°ú Àϱâ, ½ÃÀý µîÀ» ÅëÆ²¾î ³ªÅ¸³ª´Â °æ°üÀ» Á¾ÇÕÀûÀ¸·Î ºÐ¼®Çϱâ À§ÇØ Ç³Åä¶ó´Â °³³äÀ» µé¾î ±â¼úÇÏ¿´´Ù. ÀÌ¿¡ ½ÇÀçÇÏ´Â Çѱ¹ÀÇ »êõ ¸ð½ÀÀ» ÁÖ·Î ´ã°í ÀÖ´Â °âÀç Á¤¼±ÀÇ Áø°æ»ê¼öȸ¦ ½Ã°¢Àû »ç·á·Î Ȱ¿ëÇÏ¿´´Ù. ´Ù¸¸ ÀüÀÛÀ» ´ë»óÀ¸·Î ÇÏÁö ¾Ê°í, °¢ Áö¿ªÀÇ Æ¯Â¡ÀûÀÎ Àå¸éÀ» ´ã°í ÀÖ´Â "°æ±³¸í½Âø(ÌÈÎôÙ£ãôÞ)", "ÇØ¾ÇÀü½Åø(úäÀîîãêôÞ)" µî ±× ÁÖÁ¦¿Í Àå¼Òº°·Î ´ë»óÀ» ´Þ¸®ÇÏ´Â ÀÛǰ±º Áß ´ëÇ¥¼ºÀÌ ÀÖ´Â »ç·Ê¸¦ Ȱ¿ëÇÏ¿´´Ù. ±× °á°ú, Çѱ¹ÀÇ ¿¾ dzÅä°æ°üÀº ´Ù¾çÇÑ »ê¾ÇÁöÇü¿¡ ÀûÀÀÇØ °¡´ø »ýȰ¸ð½ÀÀÌ ´ã±ä dz°æÀ̸ç, »êÀ» ´ëÇÏ´ø ÀνÄÀÇ Ç³Åä°¡ ÇÔ²² ¹Ý¿µµÈ Á¤°æ(ï×ÌØ)ÀÌ¶ó ¿©°ÜÁø´Ù. ÀÌ´Â ±¹ÅäÀÇ ´ëºÎºÐÀÌ »êÀ¸·Î ÀÌ·ç¾îÁ® ÇÊ¿¬ÀûÀ¸·Î »ê¾ÇÁöÇü°ú ¿¬°üµÇ¾î¿Â »îÀÇ ¹æ½Ä°úµµ °ü·ÃÀÌ ÀÖ°í, ÀÌ·¯ÇÑ È¯°æÀû ¿äÀÎÀº dzÅä°æ°üÀÇ ¸ðƼºê°¡ µÇ¾ú´Ù°í º»´Ù. |
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| This research is an introductory study that hopes to interpret the cultural scenic landscape by analyzing Korea's mountains, streams, topography, color, light, human behavior, and more based on real landscape paintings. It places its purpose on understanding our intrinsic cultural scenic landscape by investigating the changed topography and the differing life patterns caused bythe active national land development after the modern era. With Seoul, which is now difficult to find images of its past, and the surrounding areas of the Han riverbed, the interpretation related to its original topography, landscape, climate, weather, and human behaviors was observed while the main focus was placed on the climate of the perception held by people regarding Mt. Geumgang and other ranges which are not fully opened to the public yet. In order to comprehensively analyze the figures of features and appearing landscapes including color, light, and more, it was described through the concept called climate. Hereupon, the real landscape paintings by Gyunjae(Jeong-Seon), mainly bearing features of existing Korean mountains, wereutilized as visual historical material. However, not having all his works, other pieces with representative characteristics were utilized such as "Gyeong-Gyo-Myeong-Seung-Chup(a painting with picturesque sceneries around old Seoul)" and "Hae-Ak-Jeon-Shin-Chup(a landscape painting including even the spirits of the seas and mountains)" which contain the regions' distinct scenery. As a result, the old cultural scenic landscapes of Korea are regarded as containing diverse mountains and where the conceptions of the treatment of mountains were reflected. |
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| Ű¿öµå |
| ÀÚ¿¬Çö»ó;°æ°ü;¿øÁöÇü;ÇØ¼®;Natural Phenomena;Landscape;Original Land-Form;Interpretation; |
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Çѱ¹Á¶°æÇÐȸÁö / v.37, no.1, 2009³â, pp.87-99
Çѱ¹Á¶°æÇÐȸ
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO200916762902359)
¾ð¾î : Çѱ¹¾î |
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| ³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø |
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