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Çѱ¹Á¶°æÇÐȸ / v.39, no.1, 2011³â, pp.96-105
µ¶¶ô´ç ¿ø¸² °æ°üÁ¶¿µ¿¡ °üÇÑ ¿¬±¸
( A Study on Managing the Landscape in Dok-Rak-Dang Garden )
Á¤À±¿µ;¼ºÁ¾»ó;¹èÁ¤ÇÑ; ¼­¿ï´ëÇб³ ȯ°æ´ëÇпø Çùµ¿°úÁ¤ Á¶°æÇÐ;¼­¿ï´ëÇб³ ȯ°æ´ëÇпø;¼­¿ï´ëÇб³ Á¶°æ.Áö¿ª½Ã½ºÅÛ°øÇкÎ;
 
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ÀÌ ¿¬±¸´Â ¹®Çå°íÂû°ú ÇöÁö°üÂûÀ» ÅëÇØ, ȸÀç À̾ðÀûÀÌ Á¶¿µÇÑ µ¶¶ô´ç ¿ø¸² ³» Àå¼ÒµéÀÇ À§Ä¡¸¦ ÃßÁ¤Çϰí, ±×°ÍÀ» ¹ÙÅÁÀ¸·Î ¿ø¸²ÀÇ °æ°üÁ¶¿µÆ¯¼ºÀ» ºÐ¼®ÇÏ¿´´Ù. ȸÀç°¡ Àº°Å¸¦ À§ÇØ µ¶¶ô´ç°ú ÇÔ²² Á¶¿µÇß´ø ¿ø¸² Áï ÀÚ°èÁÖº¯°ø°£Àº, ȸÀç ÀÌÀü¿¡´Â ÀÖ´Â ±×´ë·ÎÀÇ ÀÚ¿¬À̾úÁö¸¸, ȸÀç°¡ ±×°÷À» °Å´Ò°í °üÂûÇϸ鼭 »ê°ú ¹°°ú ¹ÙÀ§¸¦ ¼±ÅÃÇϰí, °Å±â¿¡ À̸§À» ºÙÀÓÀ¸·Î½á '»ç»ê¿À´ë'¶ó´Â Ưº°ÇÑ Àå¼Ò°¡ µÇ¾ú´Ù. »ç»ê¿À´ëÀÇ »ç»êÀº µ¶¶ô´ç ÀϰûÀ» À§¿äÇϰí ÀÖ´Â ºÏ¿¡ µµ´ö, ³²¿¡ ¹«ÇÐ, µ¿¿¡ È­°³, ¼­¿¡ ÀÚ¿Á»êÀ» ¸»Çϰí, ¿À´ë´Â ÀÚ°è°è°î °æÄ¡ ÁÁÀº °÷¿¡ À§Ä¡ÇÑ ¹ÙÀ§¿¡ À̸§ ºÙÀÎ ¼¼½É, °ü¾î, ¿µ±Í, ¡½É, Ź¿µ´ë¸¦ ¸»ÇÑ´Ù. µ¶¶ô´ç ¿ø¸²ÀÇ °æ°üÁ¶¿µ Ư¼ºÀº ÀÚ¿¬°ú ÇÕÀÏÇÏ´Â ¹ÌÀû üÇèÀÇ ÅµµÀÎ 'Àΰø°ú ÀÚ¿¬ÀÇ °ø°£Àû ¿¬°á', ÀÚ¿¬ ³»ÀÇ °ø°£À» üÇèÀû °üÁ¡¿¡¼­ 'À¯±âÀûÀ¸·Î ¿µ¿ªÈ­', ÀÚ¿¬À» °üÂûÇÏ°í °æ°üÀ» ÃëÇÏ¿© À̸§À» ºÙÀÌ´Â ÀÏ·ÃÀÇ °úÁ¤À» ÅëÇÑ '»çÀ¯È­µÈ ÀÚ¿¬ÀÇ Àå¼ÒÈ­'¿¡ ÀÖ´Ù. ¿ø¸² ³»¿¡¼­ »ç»ê¿À´ë´Â ÀÚ¿¬À» ¹ÌÀûÀ¸·Î üÇèÇϱâ À§ÇÑ °æ°ü °ÅÁ¡ÀÌÀÚ ¿ä¼Ò·Î ±â´ÉÇÑ´Ù. ±× Ư¼ºÀº ÀÚ¿¬À» ÀÎÀ§ÀûÀ¸·Î º¯ÇüÇÏ´Â ±¸ÃàÀû Á¶Çü ŵµ¿Í´Â ±¸º°µÇ´Â, 'ÀÖ´Â ±×´ë·ÎÀÇ ÀÚ¿¬À» Áñ±â´Â'ÀüÅëÀûÀÎ ÀÚ¿¬°ü¿¡¼­ ºñ·ÔµÇ¾ú°í, Á¶¿µÀÚÀÇ »ç»óÀû, ¹ÌÇÐÀû °üÁ¡ÀÌ Ãë°æ°ú ¸í¸íÀÇ ¹æ¹ýÀ¸·Î ÀǵµµÈ °ø°£ Áú¼­¸¦ ¸¸µé°í, ¹ÌÀû üÇèÀ» ÅëÇØ 'Àå¼ÒÈ­'°¡ ÀÌ·ç¾îÁüÀ¸·Î½á, ±¸Ãà Áß½ÉÀÇ Á¤¿øÁ¶¿µ°ú´Â ±¸º°µÇ´Â ½ÇõÀûÀÎ Çѱ¹Àû Á¤¿øÁ¶¿µÀÇ Åµµ¸¦ º¸¿© ÁØ´Ù. ¿¬±¸ÀÇ °á°ú´Â ÀüÅëÁ¤¿øÀÇ ¹ÌÇÐÀû ¿¬±¸¿¡ ±âÃÊÀÚ·á°¡ µÉ °ÍÀ̶ó°í ÆÇ´ÜµÈ´Ù.
This study analyzed literary works and references related to Dok-Rak-Dang(Ô¼Õ¥ÓÑ) and the attributes of managing the landscape in Dok-Rak-Dang Garden based on the assumption of position and the spatial structure revealed in the site. Hoe-Jae Lee Eon-Jeok(1491-1553), a distinguished scholar of Neo-Confusionism, built Dok-Rak-Dang and managed the surrounding areas during his retirement years. He called the mountains, stream, and rock along and near the Ja-Ge Stream Four Mountains and Five Platforms(ÞÌߣçéÓæ). Before he named these, they were not considered special. The Four Mountains which are Do-Duk in north, Mu-Hak in south, Hwa-Gae in east, and Ja-Ok in west enclose Dok-Rak-Dang and the surrounding areas. The Five Platforms, Se-Sim, Gwan-Eo, Yeong-Gue, Jing-Sim, and Tak-Yeong, in order from downstream, are places with beautiful scenery in Ja-Ge Stream. The attributes of managing the landscape in Dok-Rak-Dang Garden are the following: One is the spatial integration of what is natural and artificial as the attitude of aesthetic experience in accord with nature. Another is flexible territorialization as the way of organizing spaces in nature from the experiential aspect. The other is place making of personalized nature through a series of processes such as observing, choosing, and naming landscapes in nature. Four Mountains and Five Platforms function as landscape bases and elements to appreciate nature aesthetically. Those attributes are different from the attitude of constructing spaces. Rather, they originate from the traditional view on the appreciation of nature. Above all, place-making in nature was acquired from designed spatial structure and experiential aesthetic appreciation in the space through observing, choosing, and naming landscapes in nature reflecting creator's own ideological and aesthetic thoughts, and it might be explained as one of practical ways of Korean traditional gardening.
 
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»ç»ê¿À´ë(ÞÌߣçéÓæ);Àΰø°ú ÀÚ¿¬ÀÇ °ø°£Àû ¿¬°á;À¯±âÀû ¿µ¿ªÈ­;»çÀ¯È­µÈ ÀÚ¿¬ÀÇ Àå¼ÒÈ­;Four Mountains And Five Platforms;The Spatial Integration Of What Is Natural And Artificial;Flexible Territorialization;Place Making Of Personalized Nature;
 
Çѱ¹Á¶°æÇÐȸÁö / v.39, no.1, 2011³â, pp.96-105
Çѱ¹Á¶°æÇÐȸ
ISSN : 1225-1755
UCI : G100:I100-KOI(KISTI1.1003/JNL.JAKO201116637925201)
¾ð¾î : Çѱ¹¾î
³í¹® Á¦°ø : KISTI Çѱ¹°úÇбâ¼úÁ¤º¸¿¬±¸¿ø
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